Well Written Wednesdays: the call of wild countries

"After supper was over and the toasts had been drunk, the boy Pablo was called in to play for the company while the gentlemen smoked. The banjo always remained a foreign instrument to Father Latour; he found it more than a little savage. When this strange yellow boy played it, there was softness and languor in the wire strings-- but there was also a kind of madness; the recklessness, the call of wild countries which all these men had felt and followed in one way or another. Through clouds of cigar smoke, the scout and the soldiers, the Mexican rancheros and the priests, sat silently watching the bent head and crouching shoulders of the banjo player, and his seesawing yellow hand, which sometimes lost all form and became a mere whirl of matter in motion, like a patch of sand-storm.

"Observing them thus in repose, in the act of reflection, Father Latour was thinking how each of these men not only had a story, but seemed to have become his story. Those anxious, far-seeing blue eyes of Carson's, to whom could they belong but to a scout and trail-breaker? Don Manuel Chavez, the handsomest man of the company, very elegant in velvet and broadcloth, with delicately cut, disdainful features, --one had only to see him cross the room, or to sit next him at dinner, to feel the electric quality under his cold reserve; the fierceness of some embitterment, the passion for danger."

-from Death Comes for the Archbishop by Willa Cather